FROM THE PHILIPPINES TO BORNEO AND BACK (OR, IS IT THE OTHER WAY AROUND AND ALL OVER THE WORLD?!!): THE SAMA DILAUT SANGBAY-IGAL (TRIBUTE SONG-DANCE) PERFORMANCE ACROSS REAL AND CYBER SPACES
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Abstract
The advent of the Internet has brought about various opportunities for the transformation of the traditional arts of indigenous communities. This looks at the sangbay-igal, a compound performance of the Sama (aka Bajau) sangbay tribute song and igal, the traditional dance form of the people. The Internet has effectively opened a new space for performance, albeit in a virtual form. Producers of cultural artifacts from the indigenous communities in the margins of national societies are now able to reach out to a much wider if not global audience through the “uploads†of video materials. Apart from transformations in terms of the nature and contents of the artifacts of song and dance themselves, a parallel development in the creation of an “aesthetic community†in the form of a cyber-based social network occurs. Though at present still marginal in its influence across real and virtual spaces, this networks oriented towards indigenous expressions can only strengthen and expand though time.
Keywords: Igal, sangbay, performance, social network, cyberspace
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